The construction was straightforward, but since I was using a piece of 20 ga. mokume gane ("woodgrain" in Korean) of silver and copper, I was sure to make a template of my piece in copper first to make sure of the pattern I wanted. Mokume gane is a bit pricey, but you use small amounts of it at a time so it's not so bad. After sawing out the shape, I soldered the ends of the ring together. This is where things got funky! When I began soldering the seam closed, the seam actually opened up the hotter it got. Then when it cooled back down, the seam came together again. WEIRD! I figured it was part of the properties of this mixed metal. I actually had to use 2 sets of tweezers to hold the seam together, with the torch free-standing and the solder snippet carefully balanced on top of the seam. That "seamed" to work and when I soldered on the setting for the stone, nothing unusual happened.
I used liver of sulfur (LOS) to give the piece a patina. The problem with LOS is that it also darkens the silver. There is a solution called Baldwin's Patina (sold by Rio) that I need to buy! It only reacts with the copper and darkens that part. Once my mom tries it on, I will see if I need to re-size it, and if so then I will bang the back on a mandrel to stretch out the metal. I will also re-patina it with Baldwin's. That will really bring out the pattern and it will not look so funky as it does now.
4 comments:
That is absolutely beautiful. Thank you so much for sharing.
Shirley
I think you did a great job of keeping your style but turning it into a smaller piece your mom will like. So much more unique and personal than the standard plain setting you would normally see with a stone that size.
So ... did she like it?
Ha ha... Yes! She really liked it! And it fit! I think I may make another with an opal for my etsy shop. Thanks, Sharon!!!
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